Original Broadcast: The Business Of Film
This week James Cameron-Wilson is joined by Chad Kennerk, our occasional American correspondent, to review the opening weekend performance of 'F1 The Movie', which at #1 is now Brad Pitt’s highest-grossing movie, beating the record set in 2013 by his zombie thriller 'World War Z'. Having waxed lyrical last week about Danny Boyle’s new film '28 Years Later', James returns to where the franchise left off in 2007, reviewing the title with fresh eyes. While on the subject of zombies, Chad and James share some of their favourite undead excursions. James was less thrilled with the film at #6, 'M3GAN 2.0', which continues the escapades of the titular killer robot doll as she goes good in order to face off with a deadlier foe. For his streaming title of the week, James reviews the sobering Netflix documentary 'Grenfell Uncovered'.
Guests: Chad Kennerk,James Cameron Wilson
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Original Broadcast: The Business Of Film
This week James Cameron-Wilson is joined by Chad Kennerk, our occasional American correspondent fresh from his trip to CinemaCon in Vegas. James is thrilled to see that the UK box-office has leaped a phenomenal 168.7% from the previous weekend, thanks to the video game adaptation 'A Minecraft Movie' with Jason Momoa and Jack Black. At #4 is 'Death of a Unicorn', a farcical horror comic that is inept on almost every level, save for the presence of Jenna Ortega. However, at #7 is the Oscar-winning animated feature 'Flow', which James claims is the best film of the year so far, being an enthralling, mystical, frequently quite funny, wondrous, haunting and even a pulse-accelerating experience. He was less happy with 'The Electric State' on Netflix, a $320 retro-futuristic mess with Chris Pratt and Mollie Bobby Brown which he describes as being overblown, heavy-handed and visually cluttered.
Guests: Chad Kennerk
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Original Broadcast: The Business Of Film
James Cameron-Wilson is joined by guest interrogator Chad Kennerk to discuss the UK box-office, which has dipped 3% from the previous weekend. Sadly, he was not a fan of any of the three new releases in the marketplace: he found 'It Ends With Us' implausible and ridiculous, M. Night Shyamalan’s psycho-thriller 'Trap' contrived and inexplicable and the video game adaptation 'Borderlands' (with Cate Blanchett, of all people) derivative and chaotic.
Guests: James Cameron Wilson,Chad Kennerk
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Original Broadcast: The Business Of Film
Vicky Sayers is joined by film critic and broadcaster, James Cameron-Wilson, to take a trip down memory lane as they discuss some of the most formative children’s films in cinematic history. In this episode: The Wizard of Oz (1939), Miracle on 34th Street (1947), Mary Poppins (1964), The Railway Children (1970), Willy Wonka and the Chocolate Factory (1971), E.T. The Extra-Terrestrial (1982), The Goonies (1985), Home Alone (1990), Babe (1995), Millions (2004). Replay from 2020.
Guests: James Cameron Wilson
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Original Broadcast: Motley Fool Show
In 2018, the U.S. box office grossed almost $12 billion. This year, it’s expected to bring in closer to $8 billion. What’s eating the silver screen? Catie Peiper, the Fool’s resident entertainment expert, joins Ricky Mulvey for a look at the state of the movie industry. They discuss the relationship between streamers, studios, and theatres. and how losing China as a distributor changes the dynamics of business – and creativity. Where movie-making goes from here .. Companies discussed: DIS. Host - Ricky Mulvey; Guest - Catie Peiper
Guests: Catie Peiper
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Original Broadcast: The Business Of Film
In a replay from November 2019, Vicky Sayers is joined by film critic and broadcaster, James Cameron-Wilson, to discuss some of the most influential musicals of all time. They explore the recent return to popularity of the “musical movie”, and whether some stage musicals adapted to film have ended up becoming lost in translation.
Guests: James Cameron-Wilson
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Vicky Sayers is joined by film critic and broadcaster, James Cameron-Wilson, to talk all things quirky. They discuss what makes a “quirky” film, and Vicky reveals a particular favourite of hers. In this special genre they select: 'O Lucky Man!' (1973), 'How to Get Ahead in Advertising' (1989), 'The Truman Show' (1998), 'Being John Malkovich' (1999), 'Raising Arizona' (1987), 'O Brother, Where Art Thou?' (2000), 'Amélie' (2001), 'Eternal Sunshine of the Spotless Mind' (2004), 'Stranger Than Fiction' (2006), 'The Secret Life of Walter Mitty' (2013), and 'The Grand Budapest Hotel' (2014). Whatever happened to 'Spirited Away'(2001)?
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Original Broadcast: The Business Of Film
Vicky Sayers is joined by film critic and broadcaster, James Cameron-Wilson, to discuss some of the most influential romantic films to have hit the silver screen. Plus, what would James Cameron’s Titanic have been like if Matthew McConaughey and Gwyneth Paltrow had had the starring roles? In this episode: Gone With the Wind (1939), Casablanca (1942), Brief Encounter (1945), A Matter of Life and Death (1946), An Affair to Remember (1957), Un homme et une femme (1966), Love Story (1970), Pretty Woman (1990), Jerry Maguire (1996), Titanic (1997) - first broadcast November 2019.
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Original Broadcast: The Business Of Film
In April 2020 Vicky Sayers was joined by film critic and broadcaster, James Cameron-Wilson, to explore the complex world of the documentary film. James shared his top ten picks of what he felt is a neglected genre, offering them up as a challenge to anyone who might think of documentaries as “boring”. In this episode: 'Man With a Movie Camera' (1929), 'Triumph of the Will' (1935), 'Shoah' (1985), 'Fahrenheit 9/11' (2004), 'Man on Wire' (2008), 'Senna' (2010), 'Searching for Sugar Man' (2012), 'Citizenfour' (2014), 'They Shall Not Grow Old' (2018), 'The Cave' (2019).
Guests: James Cameron Wilson
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In 1971, a group of friends set off to sail into a nuclear test zone in a boat called Greenpeace, and their protest captured the world’s imagination. In 2015, a new documentary called 'How to Change the World' reveals the archives which bring their story to life. In this episode recorded in September 2015, Georgie Frost talks with director Jerry Rothwell.
Guests: Jerry Rothwell
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